냉전기 미소음악교류로 본 남북문화교류 모델 제안: 1958년 차이코프스키 음악대회의 시사점
도지인
2018년
' 냉전기 미소음악교류로 본 남북문화교류 모델 제안: 1958년 차이코프스키 음악대회의 시사점' 의 참고문헌
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윤이상의 교성곡『나의땅, 나의민족이여!』에 관하여정유하 [2007]
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남북기본합의서와 6.15남북공동성명임동원 [2011]
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나의 남편 윤이상이수자 [1998]
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『남북관계사: 갈등과 화해의 60년』강호제 [2009]
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The United States and the Sino-Soviet Split: The Key Role of Nuclear SuperiorityA. Athwal [2004]
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The Illusion of Vulnerability: American Reassessments of the Soviet Threat, 1955-1956R. McMahon [1996]
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Rollback, Liberation, Containment or Inaction: US Policy and Eastern Europe in the 1950sLaszlo, Borhi [1999]
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Rock ‘n’ Roll, Female Sexuality, and the Cold War Battle over German IdentitiesU. Poiger [1996]
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Revisiting the Cultural Cold WarG. Johnston [2010]
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Reenacting the Story of Tantalus: Eisenhower, Dulles, and the Failed Rhetoric of LiberationC. Tudda [2005]
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Negotiating Cold War Culture at the Crossroads of East and West:Uplifting the Working People, Entertaining the Masses, Cultivating the NationM. Sabina [2011]
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Music as a Weapon: ‘Ton Stein Scheren’ and the Politics of Rock in Cold War BerlinT. Brown [2009]
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Exhibiting Art at the American National Exhibition in Moscow, 1959: Domestic Politics and Cultural DiplomacyM. Kushner [2002]
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A Failed Empire: The Soviet Union in the Cold War from Stalin to GorbachevV. Zubok [2009]