포스트-시네마 시대의 노스탤지어 영화-디지털 시각효과와 필름 영화의 향수-
이선주
2018년
' 포스트-시네마 시대의 노스탤지어 영화-디지털 시각효과와 필름 영화의 향수-' 의 참고문헌
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포스트시네마로의 전환정찬철(Chancheol Jeong) [2015]
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문화적 기억으로서 ‘향수 영화’가 제시하는재현 방식에 관한 연구 : 영화〈써니〉(2011),〈건축학개론〉(2012)의‘기억하기’ 방식을 중심으로태지호 [2013]
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디지털 영화미학데이비드 노먼 로도윅 [2012]
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‘Wonderstruck’ DP Edward Lachman Tells All: How He Created the Eloquence of Silent Movies and the Grit of ‘The French Connection’
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Viewing Positions: Ways of SeeingGunning, Tom [1995]
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Twilight Memories: Making Time in a Culture of AmnesiaHuyssen, Andreas [1995]
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True Lies: Perceptual Realism, Digital Images, and Film TheoryPrince, Stephen [1996]
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This Studio Had a Special Effect on La La Land
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The “Return” of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First CenturyElsaesser, Thomas [2013]
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The Nostalgic Remediation of Cinema in Hugo and PaprikaAnnette, Sandra [2014]
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The Language of New MediaManovich, Lev [2001]
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The Future of NostalgiaBoym, Svetlana [2001]
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The Death of Film and the Hollywood ResponseGilbert, Andrew [2012]
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The Cultural Turn: Selected Writings on the Postmodern, 1983-1998Jameson, Fredric [1997]
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Technology Was Used To Make La La Land So Visually Rich And Colorful?
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Specters of Film: New Nostalgia Movies and Hollywood’s Digital TransitionSperb, Jason [2014]
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Present Pasts: Media, Politics, AmnesiaHuyssen, Andreas [2000]
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Post-Cinema: Theorizing 21st-Century FilmDenson, Shane [2016]
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PasticheDyer, Richard [2006]
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Interview: Todd Haynes, Ed Lachman, and Mark Friedberg
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Hugo: A Study of Modern Inventive Visual Effects
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Edward Lachman, ASC, Develops the Visual Language for ‘Wonderstruck,’
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Dyer, Only EntertainmentDyer, Richard [2002]
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Color Grading Film and Digital for Wonderstruck