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G. Meyerbeer의 에 대한 연구 - 프랑스 Grand Op?ra의 발전사적 관점을 중심으로 - = A study of by G.Meyerbeer - Focusing on History of Development of the French Grand Op?ra -' 의 주제별 논문영향력
논문영향력 요약
주제
그랑 오페라
마이어베어
위그노교도
동일주제 총논문수
논문피인용 총횟수
주제별 논문영향력의 평균
3
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0.0%
주제별 논문영향력
논문영향력
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주제별 논문수
주제별 피인용횟수
주제별 논문영향력
주제어
그랑 오페라
1
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0.0%
마이어베어
1
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위그노교도
1
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계
3
0
0.0%
* 다른 주제어 보유 논문에서 피인용된 횟수
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G. Meyerbeer의 에 대한 연구 - 프랑스 Grand Op?ra의 발전사적 관점을 중심으로 - = A study of by G.Meyerbeer - Focusing on History of Development of the French Grand Op?ra -' 의 참고문헌
음반과 DVDGiacomo Meyerbeer. <L'Africaine>, DVD, ,Selika - Shirley Verrett, Vasco da Gama - Placido Domingo,Maurizio Arena (conductor), San Francisco Opera
Thomas Forrest Kelly. First Night at the Opera, Yale UniversityPress, 2004.
Steven Huebner. “Robert le Diable”, Oxford University Press.
Steven Huebner. “Louis-Desire Veron”, Oxford University Press.
Steven Huebner. “Les Huguenots”, Oxford University Press.
Sonia Slatin, “Opera and revolution: La Muette de Portici and theBelgian revolution of 1830 revisited“, Journal of MusicologicalResearch Vol. 3, No. 1-2.
Sarah Hibberd. “French Grand Opera and the HistoricalImagination”, United States of America by Cambridge UniversityPress, New York, 2010.
Roger Parker, “Un ballo in Maschera”, Grove Music Online.
Rodney Stenning Edgecombe. "Meyerbeer and Ballet Music of theNineteenth Century: Some Issues of Influence with Reference to<Robert le Diable>", Dance Chronicle, Vol. 21, No. 3 (1998).
Robert Ignatius Letellier. “Operas of Giacomo Meyerbeer”,Fairleigh Dickinson University Press, 2006.
Robert Ignatius Letellier. “Meyerbeer studies: a series of lestures,essays and articles on the life and work of Giacomo Meyerbeer”,Fairleigh Dickinson University Press, 2005.
Richard Wagner, “Cultural Decadence of the Nineteenth Century”,in Prose Works, ed. & trans. W. A. Ellis, 8 vols.
Richard Wagner, <Rienzi>, DVD, 2012/10, Theatre du Capitole,Toulouse, France, OPUS ARTE.
Richard Tarunskin. The Oxford History of Western Music,Volume 3, The Nineteenth Century, Oxford University Press, 2005.
Richard Osborne. “Guillaume Tell”, Oxford University Press.
Peter Mondelli. “The Sociability of History in French Grand Opera:A Historical Materialist Perspective”, 19th-Century Music, Vol. 37,No. 1, University of California Press.
Matthias Brzoska. “Giacomo Meyerbeer”, Oxford University Press.
Mark Everist. “Grand Opera-Petit Opera: Parisian Opera and Balletfrom the Restoration to the Second Empire”, 19th-Century Music,Vol. 33, No. 3, University of California Press.
Mark Everist. “Giacomo Meyerbeer and music drama in nineteenth-century Paris“, Ashgate, 2004.
M. Elizabeth C. Bartlet. “Mehul, Etienne-Nicolas”, Grove Dictionaryof Music.
M. Elizabeth C. Bartlet. “Grand Opera”, Oxford University Press.
Karin Pendle. “Eugene Scribe and French Opera of NineteenthCentury”, The Musical Quarterly, Vol. 57, No. 4, Oxford UniversityPress.
Julian Budden, "Michele Carafa di Colobrano", Oxford Music OnlineJulian Budden & Benjamin Walton . “Rossini, Giacchino”,Oxford University Press.
Joseph Bennett. “The Great Composers. No. 14. Meyerbeer”, TheMusical Times and Singing Class Circular, Vol. 25, No. 494, TheMusical Times Publications Ltd.
James Parakilas, “Political Representation and the Chorus inNineteenth-Century Opera“, 19th-Century Music, Vol. 16, No. 2,Music in Its Social Contexts 1992.
J.-G. Prod'homme and Frederick H. Martens. "Napoleon, Music andMusicians", The Musical Quarterly, Vol. 7, No. 4.
Hugh Macdonald, “Music and Opera”, in The French Romantics,ed. D. G. Charlton, 2 Vols., Cambridge University Press, 1984.
Herve Lacombe, Translated from the French by Edward Schneider,"The Keys to French Opera in the Nineteenth Century", Universityof California Press.
Herbert Schneider. “La muette de Portici”,Oxford University Press.
Herbert Schneider. “Eugene Scribe”, Oxford University Press.
Henry Pleasants. “The Tragedy of Meyerbeer”,The Opera Quarterly, 1991.
Grove Dictionary of MusicOxford Dictionary of Music음악대사전, 세광출판사단행본A. C. Keys. "Schiller and Italian Opera"
Ehren Conrad Fordyce. “When Directing Became a Profession: TheEmergence of the Regisseur, Mise en Scene, and Metteur en Scenein Early 19th-century Paris”, Columbia University 2002.
Edited by Geoges Holmes. The Oxford Illustrated History of Italy,Oxford University Press, 1997.
Edited by Donald Roy. “Romantic and revolutionary theater,1789-1860”, Cambridge University Press, 2003.
Edited by David Charlton, Royal Holloway, University of London.The Cambridge Companion to Grand Opera, United States ofAmerica by Cambridge University Press, New York, 2003.
Edited by Annegret Fauser and Mark Everist. “Music, theater, andcultural transfer: Paris 1830-1914“, University of Chicago Press,2009.
Edgar Istel & Theodore Baker. “Meyerbeer's Way to Mastership:Employment of the Modern Leading-Motive before Wagner's Birth”,The Musical Quarterly, Vol. 12, No. 1, Oxford University Press.
Douglas Cardwell. "The Well-Made Play of Eugeene Scribe", TheFrench Review, Vol. 56, No. 6Edgar Istel. “Act Ⅳ of <Les Huguenots>”, The Musical Quarterly,Vol. 22, No. 1, Oxford University Press.
Carl Dahlhaus, English translation by J. Bradford Robinson.Nineteenth-Century Music, University of California Press, 1989.
Benjamin Walton. "Looking for Revolution in Rossini's GuillaumeTell", Cambridge Opera Journal, Vol. 15.
Anselm Gerhard, translated by Mary Whittall. ''The urbanization ofopera: music theater in Paris in the nineteenth-century“, Universityof Chicago Press, 1998.
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G. Meyerbeer의 에 대한 연구 - 프랑스 Grand Op?ra의 발전사적 관점을 중심으로 - = A study of by G.Meyerbeer - Focusing on History of Development of the French Grand Op?ra -'
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